Undoubtedly, in modern exhibition design, the application of color is a crucial method. The application of bright and strong color of traditional arts and crafts to exhibition can attract visitors promptly. Many contents in traditional Chinese arts and crafts works like famous stone- ware, enamel, gold and silver articles and sculptures embody modeling elements. From the perspective of art, these works have big value and reflect different levels of cultural development at different stages.
The significances of modeling and color in traditional arts and crafts works are similar. Modeling elements include classic hollow-carved design, pattern design and lattice design.
They become popular in modern exhibition design and embody vital significance and value in the development of traditional Chinese arts and crafts. In modern exhibition, the exhibition stands and showcases integrate artistic style and characteristics of traditional arts and crafts works. People like to integrate hollow-carved design in exhibition, which make the exhibition retro [6]. The integration of retro and modern fashion shows new artistic form, successfully attracting visitors.
At present, the exhibition contents include architecture, aesthetics, science and technology, materials and lighting. The products full of modern color can be supported by modeling elements of traditional aesthetics.
It certainly will appeal to visitors, improve their recognition degree and guarantee the significance and function of exhibition. Artistic conception is a common concept in traditional arts and crafts works as well as a typical aesthetic element. It needs to integrate emotional, cultural and historical elements to form new artistic form. Artistic conception has typical characteristics with high quality and taste in modern exhibition. The traditional arts and crafts works form unique style and lasting appeal because of the profound historical and cultural background.
According to the development status of modern exhibition design, it is of vital importance to apply elements of traditional arts and crafts improve the taste and artistic conception of design. The introduction of artistic conception elements can endow the exhibition with strong historical and cultural lingering charm.
For example, the traditional ceramic lines of baby blue and light white can be applied to wall design of exhibition to create classical beauty [7].
In reality, because of the absence of corresponding cultural deposits, the traditional arts and crafts works fail to embody its value. In view of this, in future exhibition design, we should endow traditional arts and crafts works with new cultural and times connotation, in order to effectively enrich the practical significance of exhibition. In exhibition of traditional embroidery, we can divide it according to different areas like Suzhou embroidery, Sichuan embroidery, Hunan embroidery and Guangdong embroidery, to make it easier for visitors to know about embroideries in different areas.
Meanwhile, from the perspective of visual observation, we can effectively present characteristics of different embroideries and combine it with regional culture, so that the cultural connotation of them is enriched. For example, the exhibition of Sichuan embroidery enables visitors to observe the difference of it and other embroideries.
In Sichuan embroidery, people use silk thread to embroider decorative patterns on silk cloth or other fabrics and they are bright-colored through red and green colors. In the exhibition of it, we can arrange the showcase and display wall according to lines of Sichuan embroidery. They echo each other at a distance. It can highlight the delicacy and beauty of Sichuan embroidery and plays a vital role in improving the artistic value of traditional arts and crafts works.
According to the development of modern exhibition and traditional arts and crafts, the traditional arts and crafts works applied in modern society have strong artistic and aesthetic values and social influence. It is crucial to carry forward and popularize the traditional culture and elements of arts and crafts like traditional ceramics, bronze, enamel and silk.
Color, modeling, artistic conception and dissimilation of traditional cultural concept show abundant and diversified traditional art elements. Moreover, we can effectively present the characteristics of arts and crafts works in different areas through modern science and technology to improve the ornamental and aesthetic value of exhibits.
It can effectively embody themes and contents of exhibition and achieve the ultimate purpose of exhibition [8]. With thousands of years of history and civilization, our country has profound cultural deposits. The development of traditional culture and art has more and more influence on modern society and modern art design. Phone the woodturner! From his workshop in Bangor, Co Down, Bob Johnston creates traditional and contemporary willow baskets and sculptures.
His willow sculptures, made to order, include a wide range of animals, including incredibly lifelike stag and Highland trophy heads.
Prices on request. Andy Keeling is a Dublin based luthier specialising in hand-crafted musical instruments, which he makes using sustainable salvaged wood where possible. These timeless pieces include acoustic guitars and mandolins — and are designed to be passed down through the generations. Copper Coast Woodcrafts is a Tramore , Co Waterford-based company that makes a variety of wood and copper items including homewares and gifts, Christmas decorations, and some gorgeous handmade wooden skateboards — an ideal gift for skaters young and old.
He also runs online carving workshops. It is a decadent self-care experience and we also have a vegan-friendly option, so no-one misses out. The science behind healing through bathing is due to the release of the love hormone oxytocin when your body is immersed in warm waters — this is the same hormone, which is released when you get a warm hug. Jo Segrave-Daly has just launched Mountain Herbery and her First Thyme Wild Herbal Oil Balm and Bars with ingredients harvested from Glenmalure Valley, which she says will offer both relaxation and restoration for everyone of all ages.
Hand produced by Niamh Hogan in Enniscorthy , Holos is a range of luxurious plant-based skincare which nourishes and replenishes skin. From her family farm in Mayo, Elaine Kennedy hand makes her per cent natural range of skincare and body care. Created with sustainable ingredients, this range would make an ideal Christmas gift. Check out her range of alphabet collages, to gift the initial person in your life in style.
As a young Traveller, she feels she has a unique opportunity to represent and record her community from within. She also does pencil portraits and accepts commissions. Price on application. Her work has been sold around the world and she also donates several pieces to charity every year. Rachel Dubber is an animal portrait artist with her own giftware selection supplying local retail outlets on the west coast. Like most businesses, the onset of Covid forced her to mover her business online and this has so far been successful, with one of her pieces, the west of Ireland Donkey, recently showcased in LA.
Original commissions priced individually. Jagdeep Sahans is a calligraphy artist in Wexford using design to give form to lettering to produce pieces of visual art. She has been practicing calligraphy most of her life and has been doing it professionally for the past 25 years creating personalised and bespoke gifts. Everything is made in small batches and with love. And, as I have such a love affair with food, this is how I started my business in and this soon led to the other products, which I make all year around.
Martina Burns and her husband, David, started Richmount Cordial Co in after the elder trees they planted began bearing fruit and they made their first elderberry and elderflower cordials. Their totally natural product is free from chemicals, artificial flavourings and sweeteners and would make an ideal addition to any Christmas hamper.
NCAD had had a large weaving department, with a range of looms. Since then, Durham has taught herself, by trial and error, to design and make scarves, shawls, mittens and blankets. It has been quite a heritage craft. Now with her own range of looms, she still has the first one she ever bought. While embracing her heritage, Durham is also part of a new generation of weavers and designers who are championing contemporary design alongside the ethos of slow and sustainable fashion.
Inspiration comes from her surroundings on the Dingle Peninsula. At the intersection of empowerment and climate advocacy, wearable art for women on the go, she says, is a response to the growing climate crisis and pollution caused by the fashion industry. Queen Adeline encourages others to embrace life as art and envision an Earth they would like to live on. The curated marketplace will feature handmade, climate conscious goods from about craft artists, offering items like clothing and jewelry that highlight the climate crisis and help to raise consciousness about sustainability.
The annual, juried event—one of the most prestigious craft shows in the United States—accepted artists this year from more than applicants, who were asked to provide a statement on how they practice sustainability as part of their application proposal. Twig Murray, who is curator and a co-chair for Smithsonian Craft Optimism, sees the craft show as an opportunity for a diverse group of artists to show their work after an unprecedented year of national hardship— the events and tragedies stemming from the Covid pandemic, climate crises around the world, racial inequity and the ongoing economic trials.
To Allotey-Pappoe, Craft Optimism means looking to the future with hope and manifesting that vision through her showmanship, skills and technique in her work. Her art is about innovating fashion and inspiring those around her to ensure that the next generation has a better world than she has experienced. She sees her work as preserving—to the smallest task of sewing on a button—the art of hand making clothes. With fast fashion, or inexpensive and quickly made clothing, taking a large toll on the environment, Allotey-Pappoe saw an opportunity to make timeless clothes for all seasons with textiles she sources from Ghana.
The founder and lead designer of the Pittsburgh-based Knotzland , a fashion company that takes discarded textiles and makes accessories like bowties, was in nursing school when she started her company in Blackwell ripped apart thrifted clothes she found in her home and began earnestly sewing until she came up with a suitable gift.
While she was nervous to present it, the hair bow made from vintage cloth was not only a hit with parents at the birthday party but was the start of her climate-friendly work.
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