Nina Santos. Give us feedback. Read Next View. Boutique Telhal Casa dell'Arte Club House. Hermitage Castelo - Casa Saint Jorge. Vintage Apartment in Historic Lisbon. Madalena by The Beautique Hotels. At the end of the s, the DJ Sebem spread the sound of, and the enthusiasm for, kudoro across Luanda, with his dialy radio show.
As many Angolans left the country because of the civil war, close ties with the Angolan diaspora turned Lisbon into the second capital of kuduro. By kuduro had made it into the international club scene. Stars with international connections, a broad mass movement of male and female singers and dancers across the country, and a solid founding myth — kuduro shows all the signs of a genre well established in the musical scene. Usually DJs produce these bpm fast instrumental tracks entirely on their computer.
In spite of being based on common movements, individuality is highly valued in Kuduro dance, with each dancer foregrounding his own gestures and making use of strong facial expressions. For that reason, Kuduro has stirred up some controversy in Angolan society. Some criticize its musical form because it avoids the traditional Angolan melodies, others dislike its language and aggressive messages, associating Kuduro with Musseque gang violence, and there are those disturbed by its caustic words and social criticism.
More than just a stop on the way to modernity or urbanization, the musseques were a place where various generations, classes, ethnic groups, races, and genders met and imagined a new world for themselves in the practices of everyday life.
However, the war which began in against the colonial regime worsened internal conflicts strongly supported in the international political context of the Cold War that eventually gave way to a struggle for power between the three main political forces in Angola, namely MPLA, UNITA and FNLA, after the Carnation Revolution in Portugal in April and the advent of independence.
This is the context where Kuduro was born: the dense and intense capital, overcrowded and chaotic, of a country immersed in a civil war, which experienced the constraints of a single party political system and then embraced political and economic liberalization.
The State reduced its direct interference in cultural production specifically, it stopped supporting musical bands in a period of openness to new influences, new freedoms, new technologies.
Hip Hop, which is a major influence on Kuduro, was born in the Bronx, New York, at the end of the 70s, as a social protest made by a marginalized youth, mainly immigrants and afro descendants. The impact this movement had on the young Angolans living in musseques was hardly surprising:.
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